A GOD OF HER OWN MAKING is an immersive opera in which the human vessel serves as a primary instrument and conduit for sound as a healing pathway to the divine. Incorporating both old and new technologies, woman and machine come together in sacred co-creation. 

LIVE AT NATIONAL SAWDUST // 6:30PM DOORS
September 23, 2022
7:30 pm
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A GOD OF HER OWN MAKING is an immersive opera in which the human vessel serves as a primary instrument and conduit for sound as  a healing pathway to the divine. Incorporating both old and new technologies, woman and machine come together in sacred co-creation.

2018 Artist-in-Residence and acclaimed interdisciplinary artist JOJO ABOT returns with the debut of this immersive and otherworldly experience, featuring musician and restorative arts devotee esperanza spalding. Created, directed, and composed by JOJO ABOT during a long season of uncertainty, separation, and global unrest, A GOD OF HER OWN MAKING builds on JOJO ABOT’s exploration of spirituality, and incorporates spalding’s lineages and practices of restorative music.

In A GOD OF HER OWN MAKING, JOJO ABOT— an ewe woman from Ghana, West Africa, references indigenous practices in which the feminine is a conduit for the divine holding space as a portal and point of intercession for all mankind.

For the first time ever, National Sawdust's Meyer Sound spatial sound system serves as a tool for inducing a state of expansive presence, awareness, and ascension while amplifying a call to (re)turn to an ancient self that is in unity with all of creation. In this one-of-a-kind performance, JOJO ABOT and Spalding invite you to tap back into a deep love for nature and each other so we can imagine and dare make manifest more harmonious, nourishing  and intentional futures.

BIOS:

JOJO ABOT is an interdisciplinary healer exploring evolving themes of spirituality, identity and community  through music, film, visual art, fashion, photography and various other mediums. Committed to a philosophy of "Message Over Medium", the artist aims to provoke larger conversations and actions  towards collective elevation, healing and harmony. An Ewe woman born in Ghana and currently based in LA, JOJO ABOT offers intimate invitations to the practice of true freedom, love and re-membering through sacred ceremonies of togetherness, reflection and transformation engaging the self as the starting point to universal connection and ascension. Serving as a bridge between the physically and metaphysically, her offerings invite us into a spiritual dance that allows for a coming together of ancestry, traditions and global cultures.

With an exciting blossoming career, JOJO ABOT has offered interdisciplinary works in collaboration with the MOMA, Brooklyn Museum, The Ghana Pavilion at La Biennale Di Venezia, Frieze art fair x Theaster Gates x Prada, Hult Center, Armory week NYC, Perez Art Museum Miami and many others. JOJO ABOT has toured with Ms Lauryn Hill, played stages life Afropunk, Roots picnic, Radio city music hall, The Apollo Theater, Kennedy Center, Greek theater and more while being the first unsigned artist to perform live for NYC's Times Square new year's eve concert to over a million people. An alumni of the New Museum's incubator program, New Inc, and former resident at National Sawdust, JOJO ABOT continues to develop and present her interdisciplinary practice through POWER TO THE GOD WITHIN and other curatorial projects.

esperanza spalding (also known as irma nejando, or, i.e.) is a being who has grown to recognize love in the abstract and aspirational, and is now fully dedicated to learning how she can serve and embody actualized love through honor for and receptivity to, fellow humans, teachers, and practitioners of various regenerative arts.

Bass, piano, composition, performance, voice and lyrics are tools and disciplines she is engaged in deeply to cultivate her own channel for transmitting care and beauty through vibration/sound/presence.

She has written an Opera with Wayne Shorter slated for premier in Fall 2021 // she is currently developing a mockumentary in collaboration with brontë velez and San Francisco Symphony // researching and developing liberation rituals in jazz and black dance //  and continuing a lifelong collaboration with practitioners in various fields relating to music, healing and cognition to develop music with enhanced therapeutic potential.

She is presently paid by Harvard University to co-create and learn with students enrolled there, working on developing creative practices that serve the restoration of people and land.

Sep 23

JOJO ABOT and esperanza spalding: A GOD OF HER OWN MAKING